Welcome to Deepam Odissi Academy Muscat. A space to learn, explore and find your inner strength through the medium of dance. Scroll down to see different learning opportunities at Deepam.
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“Aishwarya’s dedication to learn constantly and teach with encouragement and enthusiasm, altering the class based on the capacity of her students, is what makes her an excellent guide for the young and the old, into this beautiful world of Odissi.” Read More
Shefali Mendon
“I joined Deepam under the dynamism of Aishwarya who has proved to be a tremendous source of encouragement and an excellent teacher of Odissi. Her patient yet rigorous classes make me walk out with a sense of euphoria no matter how tired I am at the end of a working day!!” Read more…
Dr Ragini Vaishnav
Recent Posts
Griva Bheda: Movement of the neck
Neck movements are called Grivabeda. Neck movements are an integral part of most Indian classical dance form. There are four types of grivabeda Sundari– continuous neck movement from left to right Tiraschina– neck movement from center to left corner then center to right corner Paribartita– neck movement from left side to right side (like offering … Continue reading Griva Bheda: Movement of the neck
Drishti Bheda: Connecting through the eyes
Drishti in sanskrit means “vision”. Drishti Bedha’s help us classify different eye movements depending on how we move our eyeballs. We use each of these different movements in our daily life, but they also have their own identification. In classical dance, there are a total of nine types of eye movements. Some are obvious and … Continue reading Drishti Bheda: Connecting through the eyes
Shiro Bheda : Classification of Head movements in odissi
Head movements are called shiro Bheda. The head movements refer to the head positions, while expressing a particular bhava. There are nine types of head movements. Application: Pride, paralysis, inaction, affection, anger (narasimha Avatara) Application: Shyness or modesty, sorrow, bowing, evil thought, fainting,looking at objects on the earth, a plunge into the water (kalia) Application: … Continue reading Shiro Bheda : Classification of Head movements in odissi
Stay connected, stay relevant
How many roles do dancers play? Not on stage but offstage. Away from the limelight and away from what you see from the outside. Being a classical dancer I have come to realize that staying relevant and staying connected are my biggest challenges. When I say ‘connected’ I mean putting yourself out there. Make yourself accessible … Continue reading Stay connected, stay relevant
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